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Market Values

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Market Values

Chinese Miniature and Souvenir Sheets are interesting in a lot of respects. With their vast diversity of subjects, they can be found in most topical collections. they can also constitute a full fledged collecting area in their own right. One that can be started and completed relatively "easily", with a total catalogue value of just a little more than US$10,000 and no particular expensive variety or error to mention.

Some of these stamps have experienced a dramatic increase in value. The most noticeable in this category is the Stage Art of Mei Lanfang, issued in 1962 with a face value of 3 Yuan, catalogued today at US$ 3,000 for one in very fine condition. LINN’s Stamp News of September 21, 1998 published an article by Michael Rogers, a dealer, specialist in Asian material, which reported that an FDC with this particular stamp was sold for $ 6,250 plus 15 percent buyer’s fee. The FDC was actually mailed to the Netherlands.

I have read in one issue of Chinese Philately about another FDC with the same stamp, which was sent on September 15, 1962 from Beijing to Hamburg. It was part of the collection of a famous China collector, Mrs. Carla Michel-Lodders of Germany.

Money, however is not what we want to bring out by showing these stamps. Some of them are actually quite cheap and catalogue at around a dollar. We want to tell their stories; "read them out loud," and uncover what they were designed to convey.

In this, we shall be guided by these wise words of Shao Bolin, the Chief Designer of China Stamps issuing Bureau, who wrote in his preface to "A collection of Chinese Stamps 1982 - 1988:

"Some people might ask what makes people want to collect these tiny stamps. The answer is in their very small size. Like wingless doves, stamps circulate in society and fly over the international borders. Stamps are high level publications that show the cultural level of a country. they also express the images and hopes of millions of philatelists. With this in mind, stamp workers should prevent cultural poverty and crudeness from appearing on stamps. They should also do their best to provide people with more spiritual products rich in Chinese characteristics and in new cultural styles to promote the development of stamp art."

 

 

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